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DTSTART;TZID=Europe/Berlin:20260915T160000
DTEND;TZID=Europe/Berlin:20260915T173000
DTSTAMP:20260904T192741Z
CREATED:20260904T192741Z
LAST-MODIFIED:20260904T192741Z
UID:10000062-1789488000-1789493400@www.musicpoolberlin.net
SUMMARY:"Let’s talk about…" – Open Peer-2-Peer Exchange for Musicians
DESCRIPTION:Moderated by Melissa Perales \nLet’s talk about… Networking as Practice” – Open Peer-to-Peer Exchange for Musicians \nModerated by Melissa Perales\, Music Pool Berlin consultant and  board member\, curator\, promoter\, and cultural worker who has been active in Berlin’s independent music scene since the 1990s. \nThe group session “Let’s talk about…” expands Music Pool Berlin’s consulting work into a small-group format focused on exchange\, reflection\, and shared learning. \nNetworking as part of your practice\nThis session looks at networking not as self-promotion\, but as part of your artistic and professional practice. \nHow do you meet people in ways that feel natural and meaningful? How can you build relationships that may lead to collaborations\, new perspectives\, shared resources\, gigs\, projects\, or future opportunities? And how can connecting with others help make your work more sustainable over time? \nFor many independent artists\, networking can feel uncomfortable\, transactional\, or like yet another task added to an already demanding workload. In this session\, we want to rethink networking as something broader: building relationships\, exchanging knowledge\, supporting one another\, and becoming part of an ecosystem rather than working in isolation. \nTogether\, we will explore how networking can become part of everyday working life — through concerts\, collaborations\, communities\, professional events\, peer groups\, shared projects\, introductions\, and simple ongoing contact. \nThe focus is not only on who you know\, but on how relationships grow\, how trust is built\, and how artists and music professionals can create opportunities together. \nHow the session works\nThe session combines moderated input with a strong focus on peer-to-peer exchange. Participants are encouraged to bring their own experiences\, questions\, challenges\, and examples. \nThe knowledge and experience in the room are part of the session itself. \nTopics may include: \n– how to approach new people without feeling like you are “selling yourself”\n– how to maintain professional relationships over time turning encounters into meaningful collaborations\n– finding people whose work\, values\, or goals connect with yours moving beyond the isolation of the DIY approach\n– sharing knowledge\, contacts\, resources\, and opportunities identifying what you can offer others\, not only what you need\n– creating networks that support a more sustainable artistic practice\n– navigating Berlin’s music ecosystem while remaining open to wider\n– local and international connections \nSession Structure \n1. Check-in & Introductions – A brief round of introductions. Participants share where they are\ncurrently in their work and what they hope to develop\, change\, or connect to. \n2. Networking as Practice: Melissa introduces a few practical perspectives and experiences around relationship-building\, collaboration\, visibility\, and sustaining connections within the music ecosystem. \n3. Peer-to-Peer Exchange – The group works through questions\, experiences\, and challenges\nbrought into the session. Participants are encouraged to exchange knowledge\, ideas\, contacts\, and possible points of collaboration. \n4. Closing & Next Steps – A short reflection on what each participant might take forward: one\nrelationship to reconnect with\, one new approach to try\, one collaboration to explore\, or one concrete next step. \nFormat:\nThe core of the session is moderated peer exchange. \n*Melissa brings her experience as a Music Pool Berlin consultant\, board member\, curator\, promoter\, and long-time participant in Berlin’s independent music ecosystem\, while the group brings its\nown knowledge\, questions\, and perspectives. \nThe aim is not to provide one formula for successful networking. Instead\, the session creates space to think together about how stronger relationships\, collaboration\, reciprocity\, and shared\nknowledge can contribute to more connected and sustainable ways of working in music. \n90 minutes\nmax. 6–8 participants\nmoderated by Melissa Perales\nLanguage: English
URL:https://www.musicpoolberlin.net/en/event/lets-talk-about-open-peer-2-peer-exchange-for-musicians/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20260922T140000
DTEND;TZID=Europe/Berlin:20260922T180000
DTSTAMP:20260918T100443Z
CREATED:20260721T200134Z
LAST-MODIFIED:20260918T100443Z
UID:10000055-1790085600-1790100000@www.musicpoolberlin.net
SUMMARY:Your Artist Business:  Getting Started in Germany
DESCRIPTION:Coach: Eva Rölen\n\nArtist\, Music Manager\, Booker\, Event Manager\, Founder of GRöli Music\, Coach for Booking and Events\n\nLanguage: English\n\nFreelancing and starting your own business in music and music industry\n\nLet’s calm the anxiety of having to do paper work and take away the fear of the Finanzamt by breaking down the essentials.\nIn this workshop we’re covering the basics of how to start a business or work as a creative freelancer in Germany.\n\nWe will go over the most important steps and terms in German and English for every future solo entrepreneur. We will talk about tax numbers and what to register your business as\, the difference between VAT and income tax\, defining sexy tongue twisters such as Kleinunternehmer and Umsatzsteuererklärung.\n\nWhat’s the best way to stay organized? What are the non-obvious tasks I need to consider and how can I outsource tasks I am not able to do?\nHow’s my time management and how can I learn the best project management skills?\nWhat insurances should I consider and am I eligible for the German social artist insurance grant “KSK”?\n\nWe will take some time to answer your individual questions after going over the following topics:\n\n Ready\, steady\, go: Baseline to start your business\nmost important terms in self-employment in Germany around taxes\, VAT\, legal form\nwhat company structure registration suits your business?\nThe process of registration and filing for tax numbers\nbook keeping and how to keep it simple\nreporting your taxes\ncontracts and invoices\nwearing many hats: Sales\, Marketing\, Administration\, Accounting\na word on time & project management & mental health\n\n\n  Unser Workshopangebot wird im Rahmen des Europäischen Sozialfonds Plus gefördert aus Mitteln der Europäischen Union und des Landes Berlin
URL:https://www.musicpoolberlin.net/en/event/kickstarter-self-employed-in-germany/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20260929T190000
DTEND;TZID=Europe/Berlin:20260929T230000
DTSTAMP:20260917T071956Z
CREATED:20260826T103325Z
LAST-MODIFIED:20260917T071956Z
UID:10000061-1790708400-1790722800@www.musicpoolberlin.net
SUMMARY:Small venues - Sustaining infrastructure for music culture\, community and artistic development
DESCRIPTION:Small and medium venues provide an important infrastructure for music culture in the city. They organize space and atmospheres for artists to play live\, create community around music\, and are also particularly important as an experimental ground for upcoming artists. We zoom into the Kiez of Berlin Wedding/Gesundbrunnen\, and bring together people who run such spaces here and present each week concerts\, listening sessions\, DJ sets and performances on a regular basis. They all have different ways of organizing\, some are collectively run\, and they all have different approaches\, strategies and communities – however all connected by enthusiasm to support and sustain music culture and provide space to develop and to play for artists\, in self-organized and independent ways. \nWhat does it take to run such crucial infrastructure for music culture in the city and neighbourhood these days? We look forward for an exchange of different approaches. And\, importantly\, also invite musicians into the conversation to discuss and think together what is needed at this time\, and share ideas for how to sustain music culture and support upcoming artists in particular. What does it take to sustain a vibrant music culture and space for artistic development\, expression and exchange? What are we struggling with and how can we address it? How do we want to organize ourselves together as music scenes at this moment in time\, that comes with political\, economic and environmental challenges? And maybe also\, what is the relevance of music culture as a contribution and component of a wider cultural\, social and political engagement in the neighbourhood? \nWe plan to start with a panel conversation and then have a participatory part\, where we can all be in conversation together in small groups. We can then all keep chatting and exchanging over music and drinks. The conversation is of relevance for the neighbourhood in Wedding and for all smaller venues\, collectives\, promoters and musicians throughout the city and beyond. \nSpeakers:\nLaden2 is a non-profit cultural venue and a community-run space for people to come together. Here\, people from all over the world have the opportunity to present their books\, recite their poems\, discuss ideas that bring our society together\, screen inspiring films or perform their music. Max Graef is a musician from Berlin and co-founder of Laden2. He has been based in Berlin since 2013 and works internationally in the cultural events sector. \nMarkus Krispel is a woodwind instrument maker\, cultural worker and musician\, and a founding member of Richten25.\nThis is a venue dedicated to promoting experimental and improvised music in Berlin Wedding. \nErika Šiekštelytė is the founder and owner of Panke Club\, renowned for its meticulous musical curation\, Chair of Panke Kultur e.V.\, and a dedicated community builder in Berlin. With a multidisciplinary professional background spanning accounting\, finance\, advertising\, business management\, and cultural production\, she combines strong organizational and financial expertise with over a decade of experience leading one of Berlin’s independent cultural venues. \nmigas – Deep experiences of music and conversations can coexist at migas thanks to a great sound system and mindful acoustic design. Come celebrate every moment with a vast and careful selection of tunes\, our own vermouth and the most delicious olives we could find.  José Manuel Jiménez Moreno: I serve music\, vermouth\, and olives—and make people’s day a little better. \nKate Andriienko is a booker\, producer and General Manager at Studio dB. Co-founder of Sonic Inclusion\, IDK and Lärmhaus\, she supports the development of Berlin’s experimental music and interdisciplinary arts scene. \nDJ set after the conversation by rosie.
URL:https://www.musicpoolberlin.net/en/event/small-venues-sustaining-infrastructure-for-music-culture-community-and-artistic-development/
LOCATION:Studio db\, Uferstr. 8-11\, Berlin Wedding\, 13357\, Germany
ATTACH;FMTTYPE=image/png:https://www.musicpoolberlin.net/app/uploads/sites/2/2026/04/9-e1776946869875.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261006T140000
DTEND;TZID=Europe/Berlin:20261007T180000
DTSTAMP:20260824T223815Z
CREATED:20260804T204000Z
LAST-MODIFIED:20260824T223815Z
UID:10000057-1791295200-1791396000@www.musicpoolberlin.net
SUMMARY:ARTIST BRANDING: WIR ENTWICKELN DEINE MARKEN- UND KOMMUNIKATIONSSTRATEGIE
DESCRIPTION:Coach: Andreas Weckenbrock \nMusikbusiness-Berater\, Künstler:innenmanager\,Musikverleger\, Dozent für Musikmanagement \nSprache: Deutsch \n2 Teile \n06.10. 14 Uhr  + 07.10. 14 Uhr \nUm als Künstler:in erfolgreich zu sein\, ist eine starke Strategie\, wie Artists die Beziehungen zu Fans\, Audience und Partner:innen gestalten\, eines der grundlegenden Elemente Deiner Musikkarriere. Die größten Künstler:innen der Welt zeigen\, dass der Weg an die Spitze kein Zufall\, sondern vielmehr Resultat harter Arbeit ist\, die eine klare Grundlage\, eine strategische Gesamtperspektive und intelligentes Handeln für eine starke Artist Brand erfordert. Im Rahmen des Workshops lernen die Teilnehmenden\, was eine Markenstrategie für Künstler:innen ist\, wie man eine solche Strategie erarbeitet und schließlich zum Leben erweckt. \nDer Workshop ist in zwei Teile gegliedert: Im ersten Teil werden zunächst unterschiedlichen Begriffe aus den Bereichen Marke\, Identität und Strategie unterschieden\, gefolgt von einer Einführung in das Grundkonzept der Markenstrategie für Künstler:innen im Allgemeinen\, sowie in die Zielgruppe und die Notwendigkeit eine Strategie zu entwickeln. Zum Abschluss des ersten Teils wird das Artist Brand Canvas (ABC) als praktisches Instrument für die Entwicklung vonMarkenstrategien für Künstler:innen vorgestellt. \nDer zweite Teil konzentriert sich auf den Prozess der Entwicklung der Strategie. Teilnehmende werden zunächst mit der internen und externen Situationsanalyse\, sowie der SWOT-Analyse vertraut gemacht. Um den Grundstein für den eigentlichen Strategieentwicklungsprozess zu legen\, werden die Teilnehmenden in die Konzepte des Golden Circle von Sinek sowie in die Identitätsbasierte Markenführung von Burmann als zugrunde liegende wissenschaftliche Modelle eingeführt. Nach Abschluss der Definition der Identität der Künstler:innenmarke werden Messaging und Story der Brand entwickelt und auf die passenden Brand Touchpoints abgestimmt. \nINHALTSÜBERSICHT \nA EINE EINFÜHRUNG: MARKE\, IDENTITÄT\, STRATEGIE\n1 Künstler\, Persönlichkeit\, Marke: Wovon reden wir hier?\n2 Was ist eine Markenstrategie für Künstler:innen?\n3 Wofür brauche ich als Künstler:in eine Markenstrategie und warum?\n4 Ein Werkzeug\, das Dir bei der Entwicklung Deiner Strategie hilft – das Artist Brand Canvas. \nB DIE ENTWICKLUNG DEINER MARKENSTRATEGIE\n1 Wem gehört die Marke\, wer arbeitet mit der Marke?\n2 Ein kurzer Blick auf die Theorie\n3 Das Herzstück: Die Markenidentität für Künstler:innen\n4 Dein Messaging\, Deine Story\n5 Die Brand Touchpoints \nTeilnehmende werden animiert Fragen zu adressieren\, die vorgestellten Instrumente für ihre Projekte zu nutzen und erste Ergebnisse vorzustellen und kritisch zu würdigen.
URL:https://www.musicpoolberlin.net/en/event/artist-branding-wir-entwickeln-deine-marken-und-kommunikationsstrategie/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261013T140000
DTEND;TZID=Europe/Berlin:20261013T180000
DTSTAMP:20260824T223807Z
CREATED:20260805T211044Z
LAST-MODIFIED:20260824T223807Z
UID:10000058-1791900000-1791914400@www.musicpoolberlin.net
SUMMARY:EPK Bootcamp: Craft Your Press Kit & Pitch with Confidence
DESCRIPTION:Coach: Allie Silver \nArtist Manager Artist Development Consultant\, Festival & Event Producer \nLanguage: English \nAn EPK (Electronic Press Kit) is one of the most essential tools for artists to present and promote their work. In this hands-on workshop\, you’ll learn how to write a strong bio\, build a compelling press kit\, and talk about your project in a confident\, exciting way that makes people want to work with you. We’ll break down the key elements of a standout EPK — from bios and project descriptions to images\, video\, and elevator pitches — and then put that knowledge into action in a collaborative EPK lab. You’ll get real-time feedback\, personalized support\, and leave with a working draft you can continue to build on. Bring any drafts or materials you already have — and get ready to do the work. \n 
URL:https://www.musicpoolberlin.net/en/event/epk-bootcamp-craft-your-press-kit-pitch-with-confidence-2/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261015T160000
DTEND;TZID=Europe/Berlin:20261015T210000
DTSTAMP:20260825T230852Z
CREATED:20260824T090408Z
LAST-MODIFIED:20260825T230852Z
UID:10000060-1792080000-1792098000@www.musicpoolberlin.net
SUMMARY:Film x Music - Info & networking event for filmmakers and musicians
DESCRIPTION:Registration: \nParticipation is free of charge. As the number of places is limited\, you must register in advance using our registration form. \nAt our info and networking event Film x Music people from both industries come together to exchange experiences\, build connections and gain practical insights into creative collaboration. How can successful creative collaborations between both industries be developed? And what are key legal considerations to keep in mind? How do music supervision and sync management work\, from both music and film perspectives? What impact does AI have on the creative process and the wider industry? \nAfter two keynotes  by our speakers Tara Nome Doyle\, singer/songwriter and composer\, and Ingrid Yeboah\, lawyer specialising in copyright and media law\, you will have the opportunity to discuss specific questions with them\, along with other experienced professionals and exchange with participants in a series of round table sessions. More information below. \nFor more in-depth one-on-one conversation\, you can join our speed networking session afterwards.  \nWhether you want to realize your own projects\, find collaboration partners\, or simply explore possible career paths – Film x Music offers you the opportunity to make new contacts\, deepen your knowledge and gain fresh perspectives. Join us for inspiring conversations\, valuable insight and networking opportunities across industries. \nThe event is aimed at experienced professionals and newcomers alike\, each can find their peers and topics. \nThe event takes place in English. \nThe event is a cooperation between Kreativ Kultur Berlin and Music Pool Berlin. \nMore information about the round tables:  \n\nBehind the scenes: Music supervision and sync management\nWhat makes a song land perfectly in a scene? Martin  Hossbach offers insights into his work as a music supervisor for arthouse films and series and shares how he approaches pricing and publishing. Alongside this\, he works as an agent representing film composers.\nComposing for film and digital music production\nHow do digital tools change scoring? Singer-songwriter and composer Tara Nome Doyle (score for “Rose” starring Sandra Hüller) and HFF Babelsberg film music lecturer Chandra Fleig explore the creative and technical worlds behind modern scoring.\nFilmmakers and composers in collaboration\nWhat happens when composers and filmmakers meet and embark on an artistic journey together? You can discuss this and other questions with Adrian Figueroa (director) and Ketan Bhatti (composer). Bhatti has composed several scores and the two are currently working together on the score for Figueroa’s first feature film.\nLegal questions at the intersection of music & film and AI\nWhat is the current state of jurisdiction on AI use in music and film? In this roundtable with Ingrid Yeboah you have the chance to discuss this and other questions. She is a lawyer\, specializing in copyright and media law and primarily working with creatives.\nNew worlds\, new collectives – two best practices \nHow do multimedia studios bring moving image and sound together and what do their creative collaborations look like? This roundtable presents Martix Navrot of Studio Age3000\, a young and innovative game design studio with a connection to music\, with Sebastian Huber of schnellebuntebilder\, an established studio with award-winning audio-visual installations and large multimedia projects.\n\nNote on Accessibility: \nThe event takes place at Podewil in Berlin-Mitte. The Klosterstraße subway station\, located directly in front of Podewil\, is equipped with an elevator. The main entrance to Podewil is accessible via a ramp and an elevator. The back entrance can be reached via another ramp. Feel free to use the intercom to reach our reception team. \nPlease note: due to structural conditions\, the ramp at the main entrance is somewhat steep and narrow. If needed\, we’re happy to assist you. An accessible restroom is available. You can find more information and photos at wheelmap.org.Do you have any questions or need assistance? Feel free to contact us: 030 247 49-778 beratungszentrum@kulturprojekte.berlin \nRegistration: \nParticipation is free of charge. As the number of places is limited\, you must register in advance using our registration form. \nInformation about cancellation: We would like to give as many cultural and creative professionals as possible the chance to attend our events. If you are unable to attend\, we kindly ask you to cancel your registration in advance. Please send an email to beratungszentrum@kulturprojekte.berlin at least 48 hours before the start of the event. This will allow someone else to take part in the event.
URL:https://www.musicpoolberlin.net/en/event/film-music-info-networking-event-for-filmmakers-and-musicians/
LOCATION:Podewil\, Klosterstraße 68\, Berlin\, 10179\, Germany
ATTACH;FMTTYPE=image/jpeg:https://www.musicpoolberlin.net/app/uploads/sites/2/2026/08/251106_KreativKulturBerlin_FilmxMusic_YaninaIsla_Web_64-e1787699313619.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261020T140000
DTEND;TZID=Europe/Berlin:20261020T180000
DTSTAMP:20260918T130954Z
CREATED:20260820T200340Z
LAST-MODIFIED:20260918T130954Z
UID:10000059-1792504800-1792519200@www.musicpoolberlin.net
SUMMARY:Cashflow sichern als Musiker*In: So verdiene ich Geld im Streamingzeitalter
DESCRIPTION:Coach: Laura Lee \nSongwriterin\, Multiinstrumentalistin\, Performerin\, Impala Award-Gewinnerin\, Keychange-Stipendiatin\, Mentorin für Nachwuchskünstler*innen \nSprache: Deutsch \nInhalte: In diesem Workshop setzen wir realistische finanzielle Ziele für deine Musikkarriere und erarbeiten\, wie du diese in den nächsten 6\, 12 und 24 Monaten erreichst. Wir lernen wie du als Musiker*In dein Einkommen diversifizieren kannst: von Förderungen\, Markenkooperationen\, Verlagdeals\, Festival und Live Gagen\, Zusammenarbeit mit kulturellen Institutionen\, DJing oder Musikunterricht: es gibt unzählige Art und Weisen in der Musikindustrie Geld zu verdienen\, an die du bislang vielleicht noch nicht gedacht hast. Im Austausch mit anderen wollen wir Ängste und Hindernisse adressieren und Lösungsansätze erarbeiten. \nLernziele? \n\nrealistische finanzielle Ziele setzen für deine Musikkarriere\nfinanziellen Erfolg als Musiker*In definieren\nRoadmap für die nächsten 6\, 12\, 24 Monate erarbeiten\n\nWichtig für wen? \n\nalle\, die mit Musik Geld verdienen möchten\n\n    \nUnser Workshopangebot wird im Rahmen des Europäischen Sozialfonds Plus gefördert aus Mitteln der Europäischen Union und des Landes Berlin
URL:https://www.musicpoolberlin.net/en/event/cashflow-sichern-als-musikerin-so-verdiene-ich-geld-im-streamingzeitalter/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261027T140000
DTEND;TZID=Europe/Berlin:20261027T180000
DTSTAMP:20260917T180258Z
CREATED:20260917T180258Z
LAST-MODIFIED:20260917T180258Z
UID:10000063-1793109600-1793124000@www.musicpoolberlin.net
SUMMARY:Live Ready – Building Your Show from Setup to Stage
DESCRIPTION:Coach: Jonas Treuter \nMusic Project Manager\, Sound Technician\, Stage/Tour Manager\, Guitar Technician\, Booker\, Experience in Live Music Industry \nTaking your music to the stage involves more than rehearsing your songs. Your setup needs to work technically\, be practical enough to travel with\, and fit both your music and the realities of different venues. \nIn this workshop\, we’ll go through the essential steps of building an efficient and reliable live show — from choosing your gear and translating your music to the stage to advancing shows and communicating with venues and technical staff. \nWe’ll cover: \n\nYour live setup: What gear do you actually need\, and how can you keep it travel-friendly?\nBringing your music to the stage: Band\, solo setup\, backing tracks or a combination?\nShow preparation: How do you advance a show and communicate your technical requirements?\nSetlist & stage flow: How do you structure your set\, plan transitions and decide when to speak?\nSoundcheck & communication: How do you work efficiently with sound personnel and promoters?\nLighting: How can you make sure the lighting supports the atmosphere of your show?\nReliability: How do you prepare your setup for different venues and avoid unnecessary technical problems?\n\nWhether you’re preparing your first live shows or want to bring an existing setup to a more professional level\, we’ll look at your individual needs and find practical solutions that fit your music\, budget and performance style.
URL:https://www.musicpoolberlin.net/en/event/live-ready-building-your-show-from-setup-to-stage/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20261125T150000
DTEND;TZID=Europe/Berlin:20261125T180000
DTSTAMP:20260824T223627Z
CREATED:20260721T055908Z
LAST-MODIFIED:20260824T223627Z
UID:10000054-1795618800-1795629600@www.musicpoolberlin.net
SUMMARY:Leise bleiben im Lärm Fokus: Grenzen\, Kreativität & nachhaltige Resilienz
DESCRIPTION:Coach: Susanne Geisler \nKomponistin\, Songwriterin\, Juristin\, Kreativcoach für neurodivergente Künstler:innen\, Musik für Film und TV\, Synästhetische Komponistin \nSprache: Deutsch \nZwischen permanenter Sichtbarkeit\, Leistungsanspruch und kreativer Selbstorganisation bleibt oft wenig Raum für Regeneration. Der dritte Artist Circle der Reihe „Stimme im Kopf\, Kraft im Körper: Mentale Resilienz für Musiker:innen“ richtet den Blick auf nachhaltige Resilienz im Musikerinnen-Alltag: Wie kann ich langfristig kreativ bleiben\, ohne mich dauerhaft zu überfordern? \nIm Fokus stehen Themen wie Erschöpfung\, Vergleiche\, kreative Blockaden und der Umgang mit äußeren Erwartungen. Durch angeleitete Reflexionen\, Austausch und praktische Übungen entwickeln die Teilnehmerinnen persönliche Strategien für mehr innere Stabilität\, Selbstfürsorge und Klarheit im kreativen Alltag. \nDer Circle versteht sich als ressourcenorientierte „Taschentherapie“ – als niedrigschwellige mentale Unterstützung und Überbrückung der Wartezeit auf einen Therapieplatz\, ohne therapeutische Behandlung zu ersetzen.
URL:https://www.musicpoolberlin.net/en/event/leise-bleiben-im-laerm-fokus-grenzen-kreativitaet-nachhaltige-resilienz/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
END:VEVENT
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