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DTSTART;TZID=Europe/Berlin:20260811T140000
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DTSTAMP:20260720T145717Z
CREATED:20260714T015550Z
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UID:10000049-1786456800-1786471200@www.musicpoolberlin.net
SUMMARY:Masterclass / Music Supervision & Sync Advanced: From Brief to Placement
DESCRIPTION:Expert: Sarah Rimkus \nMusic Supervisor\, Consultant\, Senior Sync Manager at Concord Music Publishing\, Liaison between Artists and Clients\n\n\nYou already know the basics of music supervision and sync licensing — but what happens once a project lands on your desk?\n\nIn this advanced workshop\, Sarah Rimkus takes you through the real-world workflow of a Music Supervisor\, from interpreting a client brief and searching for the right music to handling rights clearance\, negotiations\, and final placements.\n\nThrough practical exercises\, case studies\, and behind-the-scenes insights from real projects\, participants will learn how music is selected\, pitched\, licensed\, and ultimately placed in film\, advertising\, branded content\, and other media.\n\nThis workshop is ideal for composers\, producers\, musicians\, songwriters\, sound designers\, publishers\, and sync professionals who already have a basic understanding of the sync business and want to gain deeper insight into the creative\, strategic\, and commercial aspects of music supervision.\n\nParticipants are encouraged to actively contribute\, discuss real-world scenarios\, and share their own experiences and questions throughout the session.\nModule 1 – Sync Fundamentals Refresh \nA short recap of the key concepts from the introductory workshop to make sure everyone starts from the same baseline.\n\nThe sync ecosystem and key stakeholders\nSync & Licensing basics\nCommon terminology and workflow overview\n\n\nModule 2 – Understanding the Brief\nLearn how to interpret creative briefs and identify what clients are really looking for.\n\nReading between the lines\nAsking the right questions\nIdentifying creative and commercial requirements\nCommon briefing mistakes\n\n\nModule 3 – From Brief to Music Selection\nExperience the music search process from a Music Supervisor’s perspective.\n\nSearch strategies\nEvaluating tracks for sync\nMatching music to creative concepts\nPresenting music to clients\n\n\nModule 4 – Rights\, Clearance & Licensing\nUnderstand the legal and administrative side of sync placements.\n\nCopyright ownership\nPublishing and master rights\nClearance process\nCommon licensing challenges and red flags\n\n\nModule 5 – Budgets\, Fees & Negotiations\nGet insight into how sync deals are structured and negotiated.\n\nKey pricing factors\nBudget considerations\nNegotiation strategies\nManaging client expectations\n\n\nModule 6 – From Pitch to Placement\nA behind-the-scenes look at how successful placements actually happen.\n\nWhy tracks get selected (or rejected)\nClient feedback and revision rounds\nBest practices for communication and delivery\nLessons learned from real projects\n\n\nFinal Q&A and open discussion.
URL:https://www.musicpoolberlin.net/event/masterclass-music-supervision-sync-advanced-from-brief-to-placement/
LOCATION:House of Music 2.OG\, Revaler Str. 99\, Berlin\, 10245
CATEGORIES:Workshop
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